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Sunderman
Conservatory of Music
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Dixon Jazz Camp
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I
am sometimes motivated intrinsically or I may be stimulated by the
opportunity to write music that is meaningful for an individual or
ensemble. I always place myself in the “listener’s chair” as I
begin to draft ideas for a new work. Organizing musical and/or
poetic ideas in a logical way can dramatically help draw an audience
in as active participants. One should never underestimate the
power of a well-crafted melodic line. Am I then able to add a
passel of harmonic twists, layered textures, interesting
counterpoint and subtle rhythmic variations? |
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Composition
Library
BAND
Boiling Springs (2008)
Commissioned by the Boiling Springs High School Band in honor of director Jeffrey Noble's retirement after 40 years as director of bands in the South Middleton School District.
Mount Gretna (2006)
Commissioned by PMEA District 7 for its annual
Youth Band and Orchestra Fest. In memory of music educator Rodney Miller
(1955-2005)
Belair
Blue and White (2006)
Commissioned
by the Belair (Maryland) High School Reunion Band. Ray Dombrowski,
conductor.
Jubilee Day (2003)
Commissioned
by the Wildcat Foundation and the Mechanicsburg Area School District.
In celebration of the opening of the new Mechanicsburg Middle
School. Includes parts for
3 voice choir (SAB), piano and narrator. Dale Hoke and Gary Weber, directors.
Penn Street Green (2002)
Commissioned
by the Carlisle Area School District in honor of the 75th
anniversary of the Carlisle High School Band. Davie Rohrer, director.
Cedar Cliff Celebration
Overture (1999)
Commissioned
by the West Shore School District in celebration of the re-opening of
the renovated Cedar Cliff High School. David Knott, director.
Dewi's (St. David’s) Day
(1995)
Commissioned
for the 1996 Adams County Junior High School Band Festival. Based on
three Welsh folk songs. John
William Jones, director.
Midwinter Overture (1994)
Commissioned
by Swatara Junior High School in Central Dauphin School District.
Mick Cochran, director.
Kumbla Dances (1993)
Commissioned
by the Mechanicsburg Area High School Band Boosters to celebrate its
1994 Fiesta Bowl appearance. Michael
Snyder, director.
A Bright Sky (1990)
Commissioned
by the Millersville University Symphonic Band.
Keith Wiley, director.
Variations On An Ancient Irish
Song (1986)
Gigue,
loure and fantasy & chorale based on “Be Thou My Vision.”
MIXED
ENSEMBLES
For The People
(November 19, 2009 premiere) Text
and composer's notes
Dedicated to The Civil War Institute at Gettysburg College in Celebration of the Abraham Lincoln Bicentennial.
An oratorio for brass band, soprano, tenor, baritone, and woodwind octet.
Winter Presence (2008)
Dedicated to the Gettysburg College Choir and director Robert Natter. Text from British poet Stephen Leake's Presence.
Caldey Variants (2007)
A theme
and variations commissioned by the Gettysburg Chamber Orchestra for
Metropolitan Opera Orchestra violist Mary Hammann and the GCO.
Meet Me At The Majestic! The
Road To Yesterday (2005)
Dedicated
to Gettysburg College and the Adams County community. In celebration of the grand re-opening of the Majestic
Theater on its 80th anniversary.
Orchestra, SATB choir, jazz quartet and narrator. Rob
Natter, conductor.
Glory Ridge (2001)
Commissioned
by the Lutheran Theological Seminary at Gettysburg and the Gettysburg
Chamber Orchestra to honor the 175th anniversary of the
founding of the seminary. A
cantata in five movements for chamber orchestra, SATB choir, percussion,
and soloists. Norman
Nunamaker, conductor.
A Stephen Foster Tribute (1998)
An
arrangement of four Foster tunes for 16 mixed winds and strings, soprano
and baritone.
Wales: Land Of My Fathers
(1997)
Three
trioedds (triads) for orchestra, SATB choir, soloists, harp, and
narrator. A collection of
arrangements of Welsh folks songs, hymn tunes and original music from
“The Land of Song.” John
William Jones, conductor and Beth Phillips Brown, Celtic storyteller.
Grant Us Wisdom: A Centennial
Celebration (1992)
Commissioned
by Grace Lutheran Church in Chambersburg, Pennsylvania in celebration of
its 100th anniversary. SATB
choir, brass quintet and organ.
CHAMBER
MUSIC
A
Welsh Triptych (2009) flute and organ
To be published by Augsburg Press in 2010.
Blackbird (2007)
Arrangement
of the Lennon/McCartney classic for the Aureole Trio's Beatles tribute CD
release in 2008. Flute, viola and harp.
I Shall Be Gone (2005)
For
Jennifer Myers, Gettysburg College Class of 2005. Clarinet, tenor and piano.
On the Robert Frost poem “The Sound of the Trees.”
Juxtaposition (1997)
For
the United State Army Brass Band “Pershings Own.” Captain Timothy Holtan, director. British brass band instrumentation. Orchestration of
a 1980 brass quintet.
Promenade and Danza (1995)
For
Ann Felter, Gettysburg College Class of 1995.
Oboe, bassoon and piano.
Sackbut Sketches (1993)
Composed
for the trombone quartet, Die
Posaunen.
A Captured Sunset (1975-
rev.1992)
For
soprano, cello, and piano on the Carl Sandburg poem “Monotone.”
Rondo For Winds and Percussion
(1991)
Flute,
2 Bb clarinets, bassoon, and percussion.
Romanze (1989)
Woodwind
quintet.
Summertime (1980)
Arranged
for woodwind quintet.
Azul (1974)
Woodwind
quintet.
JAZZ
Bone (2009)
Commissioned by the Mechanicsburg Area School district in honor of Dale Hoke's career as a music
teacher. Solo trombone and big band.
Axiom Asunder (2004)
Axiom
Asunder review
Four
Episodes for jazz orchestra, dance company, choir and narrator – Oceans
Apart, Northern Tangents, Coast to Coast, and
Groove Machine. Poetry of Langston Hughes serves as a narrative
thread. The
music traces the development of American Jazz from its early days in New
Orleans and as it migrated north to Chicago, Kansas City, New York and
the West Coast.
I
Saw Her Standing There (2003)
Arranged
for the Glenelg (MD) High School Jazz Ensemble.
Barry Enzman, director.
Cape
Roca (1997)
For
Denis DiBlasio and the Gettysburg College Jazz Ensemble.
Buzz Jones, director.
The
Euro Shuffle (1994)
For
the Buzz Jones Big Band’s 1995 European tour and performance at the
Montreux Jazz Festival.
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